The Second Person Short Story

We haven’t ever worked on the second-person short story, which is what made this writing workshop particularly interesting for me! I love it when I get to work with something new at a guest session!
Michelle D’costa conducted a detailed session, introducing the three narrative perspectives and focussing on the second person narrator. From common misconceptions about the second-person narrator to hands-on writing exercises, Michelle covered a lot of ground in the course of one short hour.
We read a mentor text, explored how we can write in second-person, and discussed a few things to keep in mind when we write a short story. I especially like it when guests I invite reinforce ideas I’m teaching! Here are a few things Michelle mentioned, for instance!
- Avoid clichés
- Be as specific as you can, both for setting, and for character
- Use all the five senses–smell, taste, sight, hearing, touch
- Show, don’t tell
- Avoid head-hopping
We worked on paying attention to detail with an oral exercise for which Michelle showed us a picture of a man. Michelle emphasised the importance of describing what is actually visible rather than making assumptions. Show us what we can see; let the reader make assumptions!
With this, our third guest session, we’re now hurtling towards the end of yet another writing programme. How many courses have I conducted? I have now officially lost count. And I love that.
Dum Dum to the Rescue & Yet More Adventures of Little Shambu
The Mystery of the Missing Geometry Boxes
Saving the Sun Dragon
Dear Mr. Henshaw
Lights, Camera, Action!

Lights, Camera, Action! was a whirlwind introduction to filmmaking, one which I thoroughly enjoyed. I know next to nothing about filmmaking, making this guest session all the more exciting for me. What an informative, detailed session it was!
We began by watching a short film in French, Detour by Michel Gondry. Samina Mishra, our guest for the evening, asked us what we thought of the film and then we revisited a few details from a filmmaker’s eye.
What goes into mise en scène, or the frame of a film? What about cinematography? What does one pay attention to? Sound? Editing? What else?
After looking at a range of elements from setting to costumes, effect sounds to editing, Samina left us with a writing exercise in which she asked us to write a single shot. With clear examples, she asked us to pay attention to the following things as we wrote:
- Will we see the exterior/interior? What time of day is it?
- What kind of shot will it be? A long shot or a close-up?
- How is the scene set?
- What is the camera angle?
- What do we hear?
- Does the camera move or wait until the whole shot is over?
It was unfair to ask Samina to pack it all into an hour, and we did overshoot, but it was a thoroughly enjoyable session nonetheless. Here’s to many more!
Boo-Boo Investigates
Agassi and the Great Cycle Race
The Monster Hunters
Cartooning with Vineet Nair
What makes a cartoon different from a regular drawing? What is easier to draw? What do you think is important when you are drawing a cartoon?

We had such an enjoyable workshop on cartooning with Vineet Nair, comic book illustrator and Art Director of Tinkle! The first rule, which I loved, but which the participants struggled with was Don’t mute yourself! Speak! The entire session was interactive, with everyone eager to show what they were drawing.
For me, what made the session stand out was the focus on how simple cartooning can be! Identify the major shape and then modify it. Exaggerate the details to bring in the emotion and the humour!
We began with humans, went on to animals and finally looked at cartoonifying objects. I enjoyed the whole session! The image above is just a collage of all the cartoons Vineet drew during the session. The children drew so many more!
A few interesting tips Vineet left us with:
- Pause animation movies to practise cartooning and sketching.
- Experiment with simple shapes and exaggerated features.
- Try drawing simple everyday objects with emotions and expressions.
Details about our next guest session will be up very soon!
The Astoundingly True Adventures of Daydreamer Dev
Nimmi’s Bizuper Birthday
The Chocolate Touch
I Survived the Nazi Invasion, 1944
The Adventures of Mooli and the Blue-Legged Alien
The Paradise Flycatcher
The Clockwala’s Clues
My Year in Workshops – 2024
Boo-Boo the Eco-Warrior
Misfit Madhu
Zeus and the Thunderbolt of Doom
Mini’s Questions
Kushti Kid
The Art of Laughter

Every time I begin a new batch of my writing programme, it feels like the weeks fly by! This edition is nearly at an end, marked by our third and last guest session of the season.
This session was conducted by Arundhati Venkatesh, author of a number of humorous books. My book clubbers have read several – Bookasura (which we’re reading again in December 2024), Koobandhee, Petu Pumpkin: Freedom Fighter, Petu Pumpkin: Tiffin Thief and Petu Pumpkin: Cheater Peter.
Step by step, Arundhati led us through the writing of a humorous story. To begin with, if you want to write humour, you must enjoy reading funny stuff. This is something I say often—if you don’t read, you cannot write. I don’t restrict my definition of reading to fiction, though. We consume content in all kinds of ways, including memes and blog posts!
Secondly, the core of humour is truth, something that I completely agree with. An important idea that I’m glad Arundhati stressed is that the target of a humorous story should always be the person in power rather than someone who has no power or is helpless. The joke must be on the people who have authority. To paraphrase Terry Pratchett, when you make fun of people in power, that is satire. When you make fun of people without power, that’s bullying!
Having said that, Arundhati also came back to the idea that you can write about anything at all through the lens of humour. Her books are a great example – she has written humorous books about science, mathematics and the constitution!
Arundhati shared a handy list of ideas to get going with our own humorous stories. I hope at least some of the participants put her ideas into practice and write a story!
PodLab with Menaka Raman

At the Neev Literature Festival 2023, I watched Menaka Raman conduct a session on character development, and I knew I wanted to invite her to my writing programme. She did a session for us today, and what an engaging session it was! Her lively teaching style made the workshop a treat.
This workshop was my twenty-sixth guest session, and my very first one on podcasting. Menaka took us through the basics—from what a podcast is to what equipment we need to record a podcast.
In some ways, a podcast is like Netflix for audio – it has episodes that are recorded and that you can listen to in your own time. That’s what makes it different from radio, which you have to catch only when it is broadcast!
Through a series of writing exercises, Menaka helped us experience firsthand the process of podcast creation. Asking the right questions, choosing a theme, taking our time editing—all of it is important.
Finally, Menaka reminded us that we don’t need any fancy equipment to create a podcast. Recording on a phone is easy enough, and to edit, we can use Spotify, Audacity, iMovie and Garage Band. Special effects add to the experience of podcasts, and BBC, for instance, has 33,000 sound effects that you can use for free.
It was a rewarding session, and as often happens, I think I learned as much as the children did!